This dramatic 1950s brooch was most likely created in Austria.
Condition Report:
Excellent
For more information about this brooch, read below...
This pretty sentimental charm was created in the Edwardian era.
Condition Report:
Excellent
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This beautiful pendant was probably created in Austria in c.1900.
Condition Report:
Excellent
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This stylish brooch was created by Kramer of New York in the 1950s.
Condition Report:
Very Good - A tiny element of clouding to a couple of rhinestones due to age. This does not detract from the appeal of the piece and is only visible upon very close inspection.
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This brooch is a lovely example of Joseff of Hollywood's statement jewellery.
Condition Report:
Excellent
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This stylish, high fashion necklace was made in the 1980s by Givenchy.
Condition Report:
Excellent
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This classic example of 1980s gold tone styling is unsigned, but nonetheless perfect for layering.
Condition Report:
Very Good - A little rubbing to the plating on some of the necklace bars. This is only visible upon close inspection and does not detract from the appeal of the piece.
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This chic necklace dates from the 1980s. It was sourced in France and was most liely created there too.
Condition Report:
Excellent
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This pretty brooch dates from the early 1900s. The central motif is a lady styled so typically for the era in which this piece was made.
Condition Report:
Very Good - A faint and short hairline crack at the top of the brooch. This does not affect the strength or appeal of the brooch.
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This stylish, high fashion necklace was made in the 1980s by Givenchy.
Condition Report:
Excellent
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This stylish brooch was created by Chanel in the 1980s.
Condition Report:
Excellent
For more information about this brooch, read below...
This lovely example of 1980s gold tone styling is by Monet - a classic design from a classic costume jewellery designer.
Condition Report:
Very Good - Minor rubbing to the surface of one plastic cabochon. This is only visible upon very close inspection and does not detract from the overall appeal of the piece.
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