A beautifully designed 1950s pin - this piece was possibly created by the great French parurier, Roger Scemama.
Condition Report:
Wearable - Some loss of coating to one faux pearl and a little crazing to the surface of another faux pearl. Both of these defects are not visible when the piece is worn and do little to detract from its appeal.
For more information about this piece, read below...
The Details...
This jabot pin is constructed from silver tone metal. It is detailed at either end with two large faux pearls. The pin also features colourless, oval cut and teardrop shaped rhinestones. These stones are multi-faceted and claw set and are assembled in a flower, cup-like form. The pin measures 13cm x 2cm.
A Short History...
Featuring high quality stones, well manufactured settings and elegant design details, this pin has the hallmarks of a piece created in France for couturiers during the post-war era. It particularly resembles pieces made by the great parurier Roger Scemama. He particularly favoured using Tyrolean (Austrian) stones with visible settings around their edges, as can be seen in this dramatic pin.
Wear it With...
Such a romantic and high quality piece, deserves a special occasion. Why not pair this brooch at the waist of a satin wedding gown with a bateau neckline?
The jewellery within the Gemma Redmond Vintage collection has survived to this day because it has been well cared for throughout its lifetime. It is important to continue to care for the jewellery that you buy from us to ensure its continued preservation. Here are some suggestions:
- Be sure to store your jewellery within the boxes that we provide to ensure that it is protected. This is especially important when travelling with your pieces.
- Try not to get perfume or hairspray on your items. These liquids can damage the materials that our jewellery is made from.
- Try not to drop your jewellery or catch your jewellery against hard surfaces. If this happens over time, the findings and fixings can loosen and wear.
- Try not to get your jewellery wet. Some costume jewellery manufacturers utilised water soluble glue in the making of their pieces. Getting your jewellery wet could cause rhinestones and other details to fall away over time.
- If you wish to clean your jewellery, use a soft polishing cloth or a soft brush.
This evocative brooch is emblematic of the Egyptian Revival aesthetic and dates from the early 1900s.
Condition Report:
Excellent
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A stylish piece by the German costume jewellers Henkel and Grossé, this brooch was created in 1970.
Condition Report:
Very Good - A little rubbing to the surface of the gold plating. This is consistent with age and use and does not detract from the appeal of the piece.
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This beautiful brooch was created in 1955 in London by Harold A. Lazarus.
Condition Report:
Excellent
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Featuring delicate and pretty glass flowers, this brooch dates from the 1950s and was created in France by the Louis Rousselet company.
Condition Report:
Excellent
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This lovely example of 1980s gold tone styling is by Monet - a classic design from a classic costume jewellery designer.
Condition Report:
Excellent
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This pretty brooch dates from the early 1900s. The central motif is a lady styled so typically for the era in which this piece was made.
Condition Report:
Very Good - Slight darkening to the fastening pin on the brooch. This is consistent with age and use and not visible when worn.
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This rare and remarkable survivor from the Art Nouveau era dates from c.1900.
Condition Report:
Good - Some rubbing to the plating on the reverse of the brooch - this is not visible when the brooch is being worn. One purple stone is perhaps a later replacement, as it is more faceted than the other. This is only apparent upon very close inspection and does not detract from the appeal of the brooch.
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So very Deco, this dress clip dates from the late 1930s and is an early creation by Trifari.
Condition Report:
Wearable - A number of the rhinestones have begun to darken with age. However, the piece still sparkles. It is collectable and a great design.
For more information about this dress clip, read below...
These evocatively Art Deco dress clips were most likely created in 1930s Austria.
Condition Report:
Very Good - The silver frame for the baguette paste stones is ever so slightly mis-shapen. This is only visible upon very close inspection and it does not detract from the overall appeal of these clips.
For more information about these dress clips, read below...
This sweet brooch was created in the 1930s by the UK based jewellers, Ciro.
Condition Report:
Very good - A tiny element of dulling to a couple of the paste stones. This is consistent with age and is only apparent upon very close inspection. It does not detract from the appeal of the piece.
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This stylish fur clip was created in c.1940 by the American Eisenberg company.
Condition Report:
Very Good - A little clouding to the larger rhinestones. This is consistent with age and does not detract from the appeal of the piece.
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Pretty and rare, this brooch was created in Limoges, France, in the 1950s.
Condition Report:
Excellent
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This beautiful brooch is emblematic of quality Art Deco paste jewellery.
Condition Report:
Excellent
For more information about this brooch, read below...
This pretty brooch dates from the early 1900s. The central motif is a lady styled so typically for the era in which this piece was made.
Condition Report:
Very Good - A faint and short hairline crack at the top of the brooch. This does not affect the strength or appeal of the brooch.
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Exceptionally rare and intricate, this Austro-Hungarian brooch was created in the mid 1800s.
Condition Report:
Good - Some wear to the enamel work and a tiny chip to the right-hand edge of the brooch. These aspects are only apparent upon very close inspection and do not detract from the appeal and rarity of the piece.
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This shimmering brooch was created in the mid to late 1800s in Czechoslovakia.
Condition Report:
Excellent
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A beautifully designed 1950s pin - this piece was possibly created by the great French parurier, Roger Scemama.
Condition Report:
Wearable - Some loss of coating to one faux pearl and a little crazing to the surface of another faux pearl. Both of these defects are not visible when the piece is worn and do little to detract from its appeal.
For more information about this piece, read below...
