This rare and important example of the work of Louis Rousselet was created in c.1930.
Condition Report:
Very Good - There are some tiny elements of scuffing/crazing to the surface of a couple of the glass cubes. However, this is only visible upon really close inspection and is in no way detrimental to the appeal of the necklace.
For more information about this necklace, read below...
The Details...
This necklace is detailed with clusters of multi-coloured, teardrop shaped, glass beads. It also features 6 green and red glass cubes. There are also round, colourless rhinestones individually attached to the necklace chain in claw set cups. The necklace is also detailed with multi-faceted black glass bead and metal rondelle beads. The necklace measures approximately 70cm.
A Short History...
This is an exceptionally rare example of Art Deco jewellery from the workshop of Louis Rousselet - a master bead and imitation pearl maker based in Paris. Rousselet created 4 collections per year and couture houses such as Chanel, Dior and Schiaparelli selected models from his lines to compliment their collections. A highly similar necklace to this example, with near identical beadwork and findings, features in the book 'Fashion Jewelry - The Collection of Barbara Berger' and is attributed to the French poured glass jewellery maker Gripoix. However, recent research and correspondence with the Maison Rousselet archives has revealed that the necklace we have for sale here is certainly by Louis Rousselet.
Wear it With...
This necklace is perfect for a rare costume jewellery collector and would make a stunning display piece. However, it's more than suitable for wear and looks elegant paired with a deep black roll neck knit.
The jewellery within the Gemma Redmond Vintage collection has survived to this day because it has been well cared for throughout its lifetime. It is important to continue to care for the jewellery that you buy from us to ensure its continued preservation. Here are some suggestions:
- Be sure to store your jewellery within the boxes that we provide to ensure that it is protected. This is especially important when travelling with your pieces.
- Try not to get perfume or hairspray on your items. These liquids can damage the materials that our jewellery is made from.
- Try not to drop your jewellery or catch your jewellery against hard surfaces. If this happens over time, the findings and fixings can loosen and wear.
- Try not to get your jewellery wet. Some costume jewellery manufacturers utilised water soluble glue in the making of their pieces. Getting your jewellery wet could cause rhinestones and other details to fall away over time.
- If you wish to clean your jewellery, use a soft polishing cloth or a soft brush.
A pretty 1960s necklace featuring shimmering stones.
Condition Report:
Excellent
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This stylish example of a 1920s flapper necklace is in wonderful condition.
Condition Report:
Excellent - This necklace has been recently re-strung to guarantee strength for modern day wear.
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This elegant necklace reflects the craftsmanship and eye for detail characteristic of Czechoslovakian jewellery design.
Condition Report:
Excellent
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This wearable and delicate necklace by French designer Christian Lacroix was made in the 1990s.
Condition Report:
Excellent
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This beautiful necklace, reflects the craftsmanship and eye for detail characteristic of Czechoslovakian jewellery design.
Condition Report:
Excellent
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This stylish necklace dates from the 1930s. It was most likely made in Czechoslovakia.
Condition Report:
Excellent - The catch and rhinestones are later replacements. However, they are in-keeping with the design of the piece.
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This stylish, high fashion necklace was made in the 1980s by Givenchy.
Condition Report:
Excellent
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This stylish collar was designed and made in Germany in the 1960s by Henkel and Grossé for Christian Dior.
Condition Report:
Very Good - Some rubbing and aging to the plating on the fastening mechanism of the necklace. This does not detract from the overall appeal of the piece.
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Featuring a typically vibrant amber hued Bakelite, this wonderfully evocative necklace dates from the 1940s. It is unsigned.
Condition Report:
Very Good - Some wear to the cord consistent with age and use. However, this does not detract from the overall appeal of the piece.
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This exceptionally rare and shimmering necklace was created in the 1930s. It was most likely made in France.
Condition Report:
Good - There is some loss of coating to some of the faux pearls. In some places, this has resulted in a darkening to the surface of the pearls. This does not detract from the rarity and wearability of the piece, especially as the darkening makes the pearls look like grey or black pearls rather than obviously flawed.
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This beautiful portrait miniature pendant was most likely created in France.
Condition Report:
Very Good - A couple of chips to the surface of the glass. This is only apparent upon very close inspection and does not detract from the appeal and rarity of this piece. This piece has possibly had a brooch fitting at some point in its life too, as there are traces of an area where a hinge might have been.
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This beautiful pendant was probably created in Austria in c.1900.
Condition Report:
Excellent
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This pretty sentimental charm was created in the Edwardian era.
Condition Report:
Excellent
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This striking necklace, featuring a stylish combination of black and Carnelian glass, dates from the 1930s.
Condition Report:
Very Good - Some wear to the metal plating on the reverse. This is not visible when the necklace is worn and does not detract from the appeal of the piece.
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This wonderful example of Victorian jewellery was created in 1876. It can be worn as a pendant or a brooch.
Condition Report:
Excellent
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This classic and impactful necklace is by Christian Dior. It was made in the 1980s in Germany for the French fashion house.
Condition Report:
Excellent
For more information about this necklace, read below...
This rare and important example of the work of Louis Rousselet was created in c.1930.
Condition Report:
Very Good - There are some tiny elements of scuffing/crazing to the surface of a couple of the glass cubes. However, this is only visible upon really close inspection and is in no way detrimental to the appeal of the necklace.
For more information about this necklace, read below...
